Shiriyazaki

The concept for this track involves the observance of the Tsunami in Japan from the perspective of the Shiriyazaki Lighthouse along the Japanese coastline.  A fascinating place really and a milieu that evokes serenity and peace - until devastation hits.  The ambient tech track builds tension with this experience in mind, while imparting a sentiment for the vastness of nature and the weight of calamity.

 

The EMU SP-1200 was used for this track.

While many would describe the 26.04 kHz sampling rate, 12 bit resolution and 10 seconds of memory limitations on the SP-1200, these were essential in the making of the track - Shiriyazaki.   With the limitation of sample time and the challenge to sustain notes, the initial focus was to lengthen trails and carefully apply effects…  However, as with most of the machines used on this compilation, the more time spent manipulating the sounds, the greater the result. 

By using  'Multipitch'  and 'Tune/Decay'  several artefacts in the sampled elements were created via the SP-1200's circuitry.  These  artefacts contribute to the color and sometimes the tone of the samples used all of which was welcomed on Shiriyazaki. 

This heavy black box has been a reliable source of great sound and sequencing for over a decade - long live the SP-1200!

Calst (a.k.a Darren Healy)